Part 1
Part 2
Part 3
The slideshow below is the powerpoint we had up during the videos above, to give us the points we needed to touch on.
Evaluation Q1
View more PowerPoint from whiteca
|
Good
|
Bad
|
|
I like the variety of shots
|
I think the story is too simple and stereotypical. It could be made more entertaining
|
|
The on beat editing will be very effective and I like that there are different locations, I think it keeps the audience more entertained
|
The song puts me off the video
|
|
There are many close ups which are suitable for the genre
|
There are too many performance shots
|
|
I like the different frames of shots and the story being told
|
I don’t like the song so I have a biased view on the video. Personally, I think it is too girly and cheesy
|
|
Suits song well
|
I think more locations could be involved
|
|
I like the different shots and the fast pace at which they appear on the screen
|
It could have more to the story. The story is very simple
|

We discussed our ideas for it as we wanted it to directly link to the music video. From our research we had both made it pretty clear that we didn’t want a performance shot because we felt they were less personal and failed to grasp attention on a shelf. After having a brainstorm with her (picture to the right) Cathy went away and drew up a couple of the ideas and then presented them to me for my opinion. Through all the sketches I felt a fairly plain shot with the artists full eye contact was the most effective. This is where a ‘mugshot’ style became our favourite of all the designs as it had all the aspects we individually wanted.
As Cathy is the artist, I had more control over the filming which we both felt was my strength last year and I wanted control of the types of shots and camera movements. This gave me the final look at the sets for the shots and the ability to examine if they truly captured all that we want. As a lot of the shots are around my house I was able to control the mise en scene and find the best angles for the camera to receive the best lighting and the best position for subliminal messages e.g capturing the animal bed covers, to connote freedom and hairspray can to not only be another important aerosol in the video but also connote big hair lots of confidence, the lighting from the dressing table and also the bed lights to create an artificial glow even during day time giving the effect of night time. After studying the song we felt that the majority of the shots cannot be stationary because the music is too upbeat for it. This justifies my reason for using the handheld technique significantly in my music video. However there are shots in this video where I cannot be the primary camera person because either I am in the shot as a character or I am not old enough to legally be in a club yet. The shots that I am in we will use a tripod (or something giving the same effect) or Cathy will handhold the camera. Cathy also will do the club shots that I won't be able to and as we don't want them to be too staged she won't have to worry about the exact angles and movement of the camera. Thankfully there is not many shots I won't be able to film myself.
As Cathy and I both know how we want our artist to be portrayed and the brand image we want her recognised for, we split the the job of creating the artists signature 'look'. Cathy has created the make up design as we both decided we wanted it to be a big and bold statement. As we had decided earlier that our artist would wear a variety of wigs it was my job to get hold of a mixture to vary the shots. This has consisted of red/purple long, black cleopatra shape, blonde curls, blond afro, black Ozzy Osborne, and a light brown bob wig. Realistically we are likely not to use all of them but it was important to get a selection. Cathy created the basis of each outfit for the artist which consists of;

